Essay

As a mother of small children, there are times when I feel invisible, ignored, and unimportant. Each day bleeds into the next, no task is ever done, and it's difficult to feel any kind of achievement. Going back to school has been a good change for me. And photography has become my most powerful way—in class and in life—to raise my hand and be seen, to open my mouth and be heard. Seeing work like Paul Graham’s photographic series of people watching television, helps me see that my small world with its mess and minutiae is no less worthy of being photographed. 

Identification Document

1.  Peck, "Posed," digital photo, Studio Lighting, 2017. 

2.  Peck, "Not a Sponge," 7.5x10" Book, 40 double-sided pgs, Conceptual Photo Book, 2016.

3.  Peck, "Honey," digital photo, Studio Lighting, 2017.

4.  Peck, "Wax museum," 19x6.5" Book, 17 pages, Conceptual Photo Book, 2016.

5.  Peck, “Break,” 4x5" large format film, View Camera Tech, 2015.

6.  Peck, “Glass,” digital photo, Photo Seminar, 2014.

7. Peck, "Untitled," digital photo, Studio Lighting, 2017.

8. Peck, "Yellow house on the Corner," digital photo, Studio Lighting, 2017.

1. Posed

Peck, "Posed," Inkjet Prints, Studio Lighting, 2017

2. Not a Sponge

Peck, "Not a Sponge," 7.5x10" Book, 40 double-sided pages, Conceptual Photo Book, 2016.

3. Honey

Peck, "Honey," Digital Prints, Studio Lighting, 2017.

4. Wax Museum

 Peck, "Wax museum," 19x6.5" Book, 17 pages, Conceptual Photo Book, 2016.

5. Break

Peck, “Break,” 4x5" large format film, View Camera Tech, 2015.

6. Glass

Peck, “Glass,” digital photo, Photo Seminar, 2014.

7. Untitled

8. Yellow house on the Corner